I have always been drawn to clouds, both as shapes and as an idea. They change in a second, and change again with every shift in perspective, remaining unique, fleeting, and unpredictable, much like life itself.
Morphē began as a desire to gather these fragments of sky and let them emerge against the white of the paper. The space around each image does not close the view, it opens it, inviting the viewer to imagine what remains beyond the edges of the photograph.
On the right-hand pages, technical data and the process of cloud formation unfold throughout the book, building a readable trace beside the visual sequence. The book therefore tries to catalogue moments, shapes, and spaces that cannot truly be held still, because a second after the shutter the cloud has already changed, and that impermanence becomes the subject itself.